{"id":180849,"date":"2026-10-24T13:25:12","date_gmt":"2026-10-24T13:25:12","guid":{"rendered":"https:\/\/ktromedia.com\/?p=180849"},"modified":"2026-10-24T13:25:12","modified_gmt":"2026-10-24T13:25:12","slug":"artprice-congratulates-brognon-rollin-winners-of-the-2026-marcel-duchamp-prize","status":"publish","type":"post","link":"https:\/\/ktromedia.com\/?p=180849","title":{"rendered":"Artprice Congratulates Brognon Rollin Winners Of The 2026 Marcel Duchamp Prize"},"content":{"rendered":"
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Press Release.<\/strong> This content was supplied by the issuing company or its PR agency and is published as received. It was not written or verified by the BitcoinWorld editorial team, and BitcoinWorld does not endorse any product, service or investment mentioned. Read our Editorial Policy<\/a>.<\/div>\n

Thought and Human Experience at the Heart of Creation<\/i><\/p>\n

PARIS<\/span>, Oct. 23, 2026<\/span> \/PRNewswire\/ \u2014 A longstanding partner of the Marcel Duchamp Prize, Artprice by Artmarket congratulates the duo Brognon Rollin, whose award was announced on Thursday, October 22, 2026, by Claude Bonnin, President of ADIAF, at the Mus\u00e9e d\u2019Art Moderne de Paris. Through an installation built around sobriety tokens, David Brognon and St\u00e9phanie Rollin give tangible form to the time spent in abstinence. Their work establishes a particularly direct connection with Marcel Duchamp\u2019s conceptual legacy and places human experience at the heart of creation.<\/b><\/p>\n

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<\/p>\n<\/div>\n

The award comes during a Paris Art Week disrupted by the early closure of Art Basel Paris on Friday, October 23, at 7 p.m., ahead of its public weekend, because of planned demonstrations and related security concerns. At the Mus\u00e9e d\u2019Art Moderne de Paris, the Marcel Duchamp Prize ceremony stands as one of the week\u2019s major events, opening a discussion that will continue long after the fair.<\/p>\n

A Major Contemporary Art Prize Since 2000<\/b><\/p>\n

Established in 2000 by ADIAF, the Association pour la diffusion internationale de l\u2019art fran\u00e7ais, and organized in partnership with the Centre Pompidou from the outset, the Marcel Duchamp Prize promotes the French art scene internationally. While the Centre Pompidou\u2019s historic Beaubourg building undergoes renovation, the Mus\u00e9e d\u2019Art Moderne de Paris is hosting the exhibitions of shortlisted artists and the announcement of the winner from 2025 through 2029.<\/p>\n

With a total endowment of \u20ac90,000, including \u20ac35,000 awarded to the winner, the Prize recognizes four artists or artist collectives each year. ADIAF extends this support through international exhibitions and residencies, notably with Villa Albertine in the United States and the Manufacture de S\u00e8vres. Past winners include Dominique Gonzalez-Foerster, Tatiana Trouv\u00e9, Cl\u00e9ment Cogitore, Tarik Kiswanson, Ga\u00eblle Choisne, and Xie Lei. Kader Attia, the 2016 winner, served on this year\u2019s jury, chaired by Xavier Rey, Director of the Mus\u00e9e national d\u2019art moderne.<\/p>\n

Making the Time of Abstinence Visible<\/b><\/p>\n

David Brognon, born in Belgium in 1978, and St\u00e9phanie Rollin, born in Luxembourg in 1980, met at Mudam and have worked together since 2006. Represented by the gallery mfc-mich\u00e8le didier, they have developed a practice attentive to waiting, confinement, and people living on the margins of society. Their works take shape through encounters with individual lives and circumstances.<\/p>\n

Their installation, titled 5,376 Years, 1,892 Months, 1,110 Days, 1,201 Hours, adds together the periods inscribed on the sobriety tokens they have been collecting since 2022. Awarded by support groups to mark milestones in abstinence, these objects bear witness to fragile victories and efforts sustained day after day.<\/p>\n

In the dimly lit space, four carnival machines hold the tokens. Their mechanisms keep them in a precarious balance: they never fall. Three wall lights are connected to Kate, who has been sober for eight years and remotely adjusts their intensity according to what she is experiencing. The installation brings the rhythm of an actual human life into the exhibition.<\/p>\n

Each token thus represents a period of lived time. The possibility of falling, the waiting, and the perseverance become perceptible. The work opens a meditation on suffering, the effort to hold on, and the vulnerability of existence, extending to the question of mortality.<\/p>\n

A Conceptual Work in the Tradition of Marcel Duchamp<\/b><\/p>\n

In an intimate and sensitive conversation with thierry Ehrmann, Claude Bonnin, President of ADIAF, emphasized the connection between this work and Marcel Duchamp\u2019s approach, as well as its two intertwined dimensions: fully conceptual and profoundly human.<\/p>\n

The Marcel Duchamp Prize has always embraced a diversity of practices, from painting and sculpture to video and installation. With Brognon Rollin, the connection to the readymade is particularly clear: preexisting objects, imbued with uses and histories, are relocated and brought together in an arrangement that transforms their meaning. The thought that selects them and establishes relationships among them becomes constitutive of the work.<\/p>\n

Marcel Duchamp, a foundational figure for conceptual art, profoundly reshaped the definition of the artistic act. With the readymade, choosing an object, designating it as art, and presenting it in a different context can constitute an act of creation. The work\u2019s meaning then engages perception and thought as much as its material fabrication.<\/p>\n

Brognon Rollin brings a distinctive human depth to this shift. The token leaves its original use behind and carries the trace of an intimate struggle into public space. The rigor of the installation makes palpable what a number alone cannot convey: the weight of a day endured, the uncertainty of tomorrow, the determination to continue. St\u00e9phanie Rollin sums up this approach in a single sentence: \u201cOur primary material is the human being.\u201d<\/p>\n

From the Conceptual Act to the Pen Entrusted to AI<\/b><\/p>\n

For Artprice, this edition of the Marcel Duchamp Prize extends the discussion into writing: how do we define the act of creation when human thought gives meaning to a form that has not been made entirely by the creator\u2019s own hand?<\/p>\n

This question runs through Dialogue Between a Thinker and AI<\/i>, the world-book by thierry Ehrmann, founder of Artprice and creator of La Demeure du Chaos. Over forty days and forty nights of dialogue, nearly four hundred and fifty hours, he brought his memories, archives, reasoning, and contradictions into an exchange with artificial intelligence. In the introductory text The Entrusted Pen, he describes his decision to entrust the writing to AI while continuing the work of thinking, challenging, and correcting, and assuming responsibility for the content.<\/p>\n

The connection Artprice proposes concerns the role of intention, experience, and meaning in the creative act. In Brognon Rollin\u2019s work, the selection and arrangement of objects make the traces of human lives accessible. In the book, a spoken voice and personal archives sustain a dialogue whose writing is entrusted to AI. In each case, the reader or visitor is invited to look beyond the production process and consider what is being conveyed.<\/p>\n

A token can count the days of abstinence; it cannot, on its own, contain all the effort they required. Artificial intelligence can give written form to the story of a life; it has not lived the existence from which that story emerges. This gap gives the question of transmission its full significance: how can deeply personal experience be made shareable?<\/p>\n

Duchamp\u2019s legacy allows us to pose this question with renewed clarity. Creation can involve the selection, arrangement, and articulation of thought. In the age of AI, this reflection extends to the author\u2019s responsibility, the experiences the author brings, and the meaning for which the author answers.<\/p>\n

Through its support for the Marcel Duchamp Prize, Artprice backs artists who renew our ways of seeing. With Dialogue Between a Thinker and AI<\/i>, thierry Ehrmann offers readers an experiment that questions our ways of writing and passing on experience. The encounter between these two approaches opens a shared space for reflection on the place of human beings in creation.<\/p>\n

An Edition Centered on Human Experience<\/b><\/p>\n

Curated by Odile Burluraux and Nicolas Liucci-Goutnikov, the exhibition also features Jo\u00ebl Andrianomearisoa, who explores the materiality of emotions through textiles, architecture, and writing; Laura Henno, whose photographs and films follow, among others, people living clandestinely in the Comoros and Mayotte; and Jos\u00e8fa Ntjam, who combines archives, African mythologies, and science fiction to shift narratives of origin.<\/p>\n

Visit the Exhibition and Read the Book<\/b><\/p>\n

The exhibition of the four artists shortlisted for the 2026 Marcel Duchamp Prize is on view at the Mus\u00e9e d\u2019Art Moderne de Paris through February 7, 2027, as part of its partnership with the Centre Pompidou and ADIAF. Admission is free.<\/p>\n

Dialogue Between a Thinker and AI<\/i> will be available in full in French and English, free to read online and download in its Raw Typescript version, under the CC BY-NC-ND 4.0 license.<\/p>\n

French version: https:\/\/www.dialoguebetweenathinkerandai.com\/fr\/<\/a>
English version: https:\/\/www.dialoguebetweenathinkerandai.com\/en\/<\/a><\/p>\n

Artprice by Artmarket \u2014 October 2026<\/p>\n

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\"Artprice<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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